I made a new video about what I’m up to in Ableton Live. Enjoy listening!
I made a new video about what I’m up to in Ableton Live. Enjoy listening!
I’m very happy to announce that Red Bull Elektropedia shared my track on their monthly “As heard in Belgium” chart. I contacted them a while ago about a track I launched at bunk3r r3cords and they shared that track right away together with a very kind message in my inbox. The people at Elektropedia are all very polite and they know what they are doing as well. Try it out for yourself in case you are a Belgian producer.
Here’s the full playlist, have fun!
If you want to showcase some of your music then don’t hesitate, post a link in the comment section.
A new techno release on Bunk3r r3cords will appear soon with with remixes from spectacular artists such as Go!Diva, Techmell and Twist3d.
Lately a Ben Solar remix is added to the roster as well. I think I’m sure I would play all tracks from this amazing release.
Release 54 is for German Techno artist, Michel van Dinteren…know for his massive live sets.
Release date: 11-05-2015
Note: Don’t forget to check out my Materia Oscura Podcast seriess for more banging techno. They will be soon available on Itunes podcasts as well.
I want to give you a present to celebrate 2015. I hope this will be a wonderful year for all of you!
To be honest, this EP would be ready before NYE, but I had one track that could use a bit more mixing.
But! I’m very glad with the result.
When you download this album you automatically join my mailing list.
It’s completely free to join and signing up for the list gives you early access to:
• Ben Solar news & updates
• Exclusive videos and photos
• Pre-sale and ticketing information
• Anything special I want to share with YOU!
Go to Bandcamp to download this EP
Hey folks! Here’s a short preview for my new track on the Geothermal EP.
I’m halfway trough the arrangement, still building the last comedown & break.
Have fun listening!
Yesterday, the launch of my techno live set was amazing at Fnoob techno radio.
A lot of people asked me for tips how I did this and that and so on.
Also a couple of listeners sayd that I could work easily for DrumCode 🙂
Thanks for all the lovely support!
Here’s the set. A download is available as well.
I wrote another blog article about the things I used to complete this live set.
Many thanks for all tips I got!
Read it here
Many of you already know I’m very busy working on my next live set. The fundaments are real basic. I imported kicks, basses, and drums from several tracks I’ve made in the past year, and I did the same for the synths.
To recall most of the parameters during the set I will be using Kapture by Liine. I tried using Clyphx (a free script plugin for Ableton Live if you do not own Max4Live) but the coding in the midi clips gave me a headache.
Here’s a short preview btw…
Drop a Kapture device on a new midi track and rename the midi track to Kapture.
By default I always make a snapshot of all parameters and levels set to their normal values. I rename the Snapshot 1 to “normal”.
You can add a midi clip by double clicking on an empty space. Rename this midi clip to the same name as your snapshot. eg. normal.
Add more snapshots and rename them whatever you like. Then add midi clips and rename them with the same title.
UPDATE: KAPTURE IS GONE! NOT WORTH DOWNLOADING BECAUSE OF THE LATENCY PROBLEMS. IT’S WORTH SHARING ANYWAY…
Right now I’m still deciding how much effects and return tracks I will be using during the performance. More parameters makes the set complex and the chance of mistakes rises fast.That’s the main reason I’m using Kapture. This M4L device can capture snapshots of all parameters and levels of any track in the Live set.
Let me talk a bit about the layout I’m using. I use 12 tracks filled with audio clips from my tracks. The last channel is filled with effects and one shots.
The kicks on channel 1 are all set to -5 / -6 db peak, the bass sounds peaks at -12 / -13 db and the drum group peaks at a max of -10db.
The synth group variates a bit more in peak levels.
The group channels also have a bit of EQ isolation on them to prevent heavy clipping parts on interfering frequencies.
I’m also a big an of “in key mixing”. This is why I grouped all clips and samples in Key for ableton live.
All scene launch buttons have their own color depending on the scale (Key). This was easily done by renaming and ordering the launch buttons.
To get fingers on the parameters I’m using an APC40 from Akai (Controlling kicks, drums, percussion and bass) and Touchable 2 on Ipad (Synths, atmosphere and effects)
Because I named much of my synth and effect sounds I thought it would be useful to see these names on my controller (Touchable 2). In this way it became a lot harder to miss a sound.
All effect parameters including those from the synths and atmosphere sounds will be mapped to the APC40.
I mostly use the Touchable app to trigger synths and effects at the moment. Maybe I will add an automated X-Y axis to it.
You can accomplish much with follow actions set to audio or midi clips. These options will tell the clip what to do next. There are several options available and also the timing can be set to the corresponding clip length.
A couple synths in my live set are programmed to work as a break. I divided the main part and the break part into 2 different clips.
On the last (break) clip I added a follow action that tells the clip to go back to the original synth after 4 beats.
Double click on the break clip and set the action to your synths or drum (fills).
Recently I added a bunch of dummy clips on most of the receiving audio channels. (Percussion, Synths, Main)
I wanted to add automation on the master effects also. I transfered all the nessasary effect plugins from the master bus to a new audio track. Next I routed this new audio track to the main master bus.
Here’s a little example of the layout.
After every block I have setup Build-up dummy clips with lots of crazy automations on the parameters. I used a follow actions to go back to the first clip (DRY)
In the next video you’ll get more information on how you can build these dummies for your own sets.
Nothing special here.
I’m using a glue compressor on the master bus together with a Limiter set to -0,2db peak. in front of these effects I’m using another EQ and a Stereo enhancer by PSP.
To start with the programming I always begin with a layout on a paper. In a list I write down all the possible effects I will use and next I’ll write those effects down on my layout I got from the internet.
This is very useful to me because by the time changes will be made. In this way you have a great reference tool.
I can name a couple effects you can add to your set immediately, but consider making new effects of your own.
You can always group several plugins together to get new inspiring sounds and effects.
I also found a very useful effect rack from Aurex online. He delivers a rack that will help you to make build-ups on the fly, etc.
Also a couple nice granular things and delays are added. Be sure to check it out!
A couple other effects will be delay returns on the synths and drums, ping-pong style delay on synths, Beat repeat on the snare, fade to grey, etc.
Thats it for now folks! My Ableton live set tips, tricks and facts. If you have any questions then post a comment below. All tips are welcome btw. I’m still building this up!
A preview will follow very soon!
Shakers are commonly used percussive instruments to give you a more energetic feel to the rhythm you are playing. Most producers use samples from originals to do the job. With extra drum automation you can get the same result like a live recording.
I prefer a live recording because: More dynamics, more motion, more energy and better sounds.
In this short DIY tutorial I will show you how I made my own Shakers from PVC.
A little video will be recorded also.
You can make these shakers for about 5 bucks per shaker.
I bought all my stuff at a plastics store.
– All pressure PVC glue.
– PVC piping – you can choose your own diameter. We used 30mm
– Connector parts to hold the top and bottom in place.
– PVC ends which you can screw on. (In this way you can always choose to change the material inside the shakers)
You can cut the pvc piping in any length you want. Depending on the sound you would like to create.
Your shaker’s sound will depend mainly on what materials you choose to put inside it. Some good, basic materials to use include:
Your variables will be:
Two guiding principles:
On the internet I found other articles regarding these DIY shakers, so here’s a short list:
Thanks for reading!
DIY Shakers with PVC – Thats all!